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After experiences in the European deaf performance community, Rita Mazza now presents her first choreographic work at Sophiensæle. Entering the stage as a playground, she explores the combination of dance and sign language movements and creates a whole new form of visual poetry. She links rules of sign language such as hand shapes, facial expressions and ordinary movements with movement studies by Laban, with ballet and Visual Vernacular – an art form of sign language that is very popular in the deaf community. Some moments of the solo performance are also inspired by works by deaf poets of the 1980s, such as Clayton Valli's Dandelion and Robert Panara's poem On his Deafness. Dandelion II was created following a research residency of the network project Making a Difference at Sophiensæle.
Making a Difference is dedicated to building a self-empowered community of disabled and deaf artists within the Berlin dance scene. This network includes SOPHIENSÆLE, Tanzfabrik Berlin, Uferstudios, tanzfähig, Hochschulübergreifendes Zentrum Tanz Berlin, TanzZeit, Diversity Arts Culture and Zeitgenössischer Tanz Berlin.
CONCEPT, CHOREOGRAPHY, PERFORMANCE Rita Mazza LIGHT DESIGN Raquel Rosildete CAMERA, LIVESTREAM Eyk Kauly CAMERA, LIVESTREAM, Image DIRECtion Jan Sell
A production by Rita Mazza in co-production with Making a Difference: SOPHIENSÆLE, Tanzfabrik Berlin, Uferstudios, tanzfähig, Hochschulübergreifendes Zentrum Tanz Berlin, TanzZeit, Diversity.Arts.Culture and Zeitgenössischer Tanz Berlin. Supported by TANZPAKT Stadt-Land-Bund with funds from the Federal Government Commissioner for Culture and the Media and by the Senate Department for Culture and Europe, co-financing fund. Media partner: taz.die tageszeitung.