Chamber music is one of the great joys of life for our orchestral musicians. Here they meet up with Lera Auerbach, the composer, pianist and visual artist to whom a ‘Creative Portrait’ is dedicated this season. The first piece is a composition for solo double bass. Then Lera Auerbach will play Mozart's Piano Concerto in D minor, first performed in 1785, in a version with string quintet. As the orchestra plays the role of a partner to the solo instrument in this concerto far more than in earlier representatives of the genre, K. 466 is probably a particularly good choice for such an arrangement! Antonín Dvořák wrote three string quintets - but only included the double bass in the middle one from 1875, thus providing an additional foundation. Czech folk music, dreamy passages and ‘dance melodies carried by shimmering sonorities’ - anyone who loves the composer's string serenade will also like this quintet.