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- Komische Oper Berlin
Gioachino Rossini Il barbiere di Siviglia

Produktion: Hauptbild Produktion: Titel Produktion: Zusatzinformationen Rossini's classic in the production by one of the most exciting and trail-blazing contemporary Russian directors, Kirill Serebrennikov: a modern game of hide and seek where everyone hides from each other and – above all – from themselves. Love in times of »social media«.
There are strange goings-on behind Doctor Bartolo's back! Recently, his ward Rosina – whom he plans to marry for her sizeable inheritance as soon as possible – seems to be secretly making new friends. A stranger is seeking to conquer Rosina's heart with self-composed songs and all manner of cryptic messages. Even Rosina long remains ignorant of the true identity of this mysterious admirer. But one thing is clear – anything is better than being forever chained to the fusty, grumpy Bartolo. And where there's a will, there's a way – no matter how strange.
Ever since the première of Il barbiere di Siviglia on 20 February 1816 in Rome's Teatro Argentina, Rossini's crazy barber has been racing to and thro – Figaro here! Figaro there! – with uninterrupted verve across the stages of the world. Hard-hearted scheming here encounters romantic yearning for love.
Libretto by Cesare Sterbini / Based on the comedy by Pierre-Augustin Caron de Beaumarchais
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- Duration
- 3 h 15 min, intermission included
- Web
- www.komische-oper-berlin.de/en/whats-on/a-z/il-barbiere-di-siviglia https://www.komische-oper-berlin.de/en/whats-on/a-z/il-barbiere-di-siviglia/
Staff
- Conductor
- Elisa Gogou
- Director, stage- and costume design
- Kirill Serebrennikov
- Stage design
- Alexej Tregubov
- Video
- Ilya Shagalov
- Dramaturgy
- Johanna Wall
- Choirs
- David Cavelius
- Lighting
- Diego Leetz
Cast
- Tansel Akzeybek
- Fabio Capitanucci
- Karolina Gumos
- Dominik Köninger
- Tijl Faveyts
- Mirka Wagner
- Nikita Voronchenko
- N.N.
- Etienne Röder
- Michael Fernandez
- Paul Gerritsen
Work info
Gioachino Rossini
Commedia in two acts [1816]
Libretto by Cesare Sterbini after the comedy
by Pierre-Augustin Caron de Beaumarchais
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