In “Allongé” Julian Weber continues his interdisciplinary approach, based on an examination of Constantin Brânçusi's sculptural work in collaboration with a ballet dancer and a pole dancer. Brânçusi's oeuvre and his pioneering formal and contextual approaches serve as a starting point for the development of a stage set which is investigated for it`s performative and choreographic potential. Through the collision of the different disciplines and dance styles, both opposites and parallels of these techniques are examined, as well as a possible entanglement of the styles. Ultimatly the possibilities of emancipation from defined role models, subject and object attributions are explored with a contemporary perspective on tradition and handcraft.
Julian Weber is a choreographer/dancer and visual artist. He studied at HBK Brunswick and Academy of Arts Vienna. In 2013 he graduated in dance and choreography at HZT, Berlin. Since then Weber works intensively on spaces of interaction involving body, material and movement. In the last years he took part in several group-exhibitions, had different residences abroad and developed performances and exhibitions. He works with artists like Meg Stuart, Boris Charmatz and Tino Segahl. Weber develops his own works at the interface between choreography and visual art, in which he shifts the formats of exhibition and stage space into one another. In 2015 he won the Berlin Art Prize with his work the tourist.
Choreography, Set design: Julian Weber | Dance: Shade Théret, György Jellinek | Music: Evelyn Saylor | Light: Annegret Schalke | Costume: Don Aretino | Production: Juan Gabriel Harcha
Funded by Berliner Senat, Tanzfabrik Berlin.