Apart of a few institutionalised attempts to re-introduce partisan art to exhibition space of museum of modern art, the former Yugoslav context encounters a thorough amnesia of partisan past. This section is dedicated to photographic and women antifascist archives. The result of Davor Konjikušić´s research on Partisan archives  is a detailed book The “Red Light” of Yugoslav Partisan Photography which examines the role of photography in the Partisan struggle. Mark Schneider has one of the most accurate and detailed archives of Yugoslav Spomenici, which he was documenting meticulously with an analogue camera for more than twenty years. Andreja Dugandžić has been working with various artistic formats and women legacies from partisan, socialist and post-socialist context.

In englischer Lautsprache.